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SDG

Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.

SDG

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
Altviool		20	0	7	4	100%
Bariton		20	0	7	6	100%
Continuo		9	0	2	4	100%
Contrabass		10	0	2	4	100%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

Het is volbracht! (variant II). Composed by Gertim.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.

SDG

1:00	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.

SDG

3:20	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

20. Es ist vollbracht! (without lyrics), Schemelli, J.S. Bach, BWV 358.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

20. Es ist vollbracht!, German Lyrics, Schemelli, J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

20. It is finished. English lyrics, Schemelli, classic baroque style (lyrics), J.S. Bach, BWV 458.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	3	7	90%
T B		19	0	5	5	90%

66. So gehst du nun, mein Jesu, hin. Schemelli, J.S. Bach, BWV 500.

SDG

0:53	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	5	100%
T B		15	0	5	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	5	100%
T B		15	0	5	3	100%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
Soprano/Alto		13	0	4	6	100%
Tenor/Bass		24	0	7	6	100%
Contrabass		17	0	6	4	50%

10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.

SDG

0:37	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
		21	0	5	5	100%
		21	0	5	5	100%
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		15	0	2	3	50%

Jesu, meine Freude, BWV 610, Orgelbüchlein no. 12, J.S. Bach. Giubiasco sampleset.

SDG

1:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		20	0	7	5	100%
Flute		21	0	7	7	100%
Violoncello		17	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		20	0	7	5	100%
Flute		21	0	7	7	100%
Violoncello		17	0	6	4	100%

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